Signs: Journal of Women in Culture and Society
  • Facebook
  • Twitter
  • Home Page
  • The Journal
    • Current Issue
    • Forthcoming in Signs
    • Recently Published Issues
    • Virtual Issues
      • Signs Resources on Abortion and Reproductive Justice
      • Feminist Resources for #TheResistance
      • Signs@40: Feminist Scholarship through Four Decades
      • Visibility and Visuality: Reframing Gender in the Middle East, North Africa, and Their Diasporas
    • Art
      • Featured Artist
      • Cover Art Gallery
      • Visibility and Visuality Artists
    • Lesbian Studies, Now : Call for Papers
    • For the Classroom
      • Signs on the Syllabus
        • WGSS Teaching Resources
        • Feminist Practices
      • Films for the Feminist Classroom
  • Feminist Public Intellectuals Project
    • Short Takes
      • The Patriarchs
      • Lady Justice
      • Bad Sex
      • The Women’s House of Detention
      • In Defense of Witches
      • Abolition. Feminism. Now.
      • The Right to Sex
      • Believing
      • Against White Feminism
      • Still Mad
      • Controlling Women
      • Period. End of Sentence.
      • Tomorrow Sex Will Be Good Again
      • Mediocre
      • Entitled
      • Boys and Sex
      • Seven Necessary Sins for Women and Girls
      • Reckoning
      • No Visible Bruises
      • Maid
      • Unapologetic
      • Rage Becomes Her
      • In a Day’s Work
      • Eloquent Rage
      • Crash Override
      • What Happened
      • Destruction of Hillary Clinton
      • Unwanted Advances
      • Feminist Fight Club
      • In the Darkroom
      • We Were Feminists Once
      • All the Single Ladies
      • My Life on the Road and Notorious RBG
      • Unfinished Business
      • Pro
      • Bad Feminist
    • Feminist Frictions
      • Radical Feminism
      • The Field of Women’s, Gender, and Sexuality Studies
      • Free Speech
      • Title IX
      • Sex Work
      • Identity Politics
      • Celebrity Feminism
      • Trigger Warnings
      • Affirmative Consent
    • Ask a Feminist
      • Reproduction in the Age of Epigenetics, a Conversation with Rene Almeling, Sarah Richardson, and Natali Valdez
      • Jennifer Fluri Discusses the Gender Politics of the US Withdrawal from Afghanistan with Sandra McEvoy
      • Patricia Williams Discusses Rage and Humor as an Act of Disobedience with Carla Kaplan and Durba Mitra
      • Eesha Pandit and Paula Moya Discuss Activism and the Academy with Carla Kaplan and Suzanna Walters
      • Byllye Avery Discusses the Past and Future of Reproductive Justice with Susan Reverby
      • Deborah Anker Discusses Gender and US Asylum Law with Aziza Ahmed
      • Soraya Chemaly Discusses Feminist Rage with Carla Kaplan and Durba Mitra
      • Cynthia Enloe, Agnieszka Graff, Ratna Kapur, and Suzanna Danuta Walters on Gender and the Rise of the Global Right
      • Catharine A. MacKinnon and Durba Mitra on Sexual Harassment in the Age of #MeToo
      • Dolores Huerta and Rachel Rosenbloom on Gender and Immigrant Rights
      • Michael Kimmel and Lisa Wade on Toxic Masculinity
      • Angela P. Harris on Gender and Gun Violence
      • Susan J. Carroll on Gender and Electoral Politics
      • Cathy Cohen and Sarah Jackson on Black Lives Matter
  • About & Guidelines
    • About
    • Masthead
    • History
    • For Authors
      • Author Guidelines
      • Submitting a Manuscript
      • Reprints and Permissions
      • Lesbian Studies, Now : Call for Papers
  • #FeministResistance

Lavett Ballard – Her View (2016)

Tweet
Share

Lavett Ballard, Her View, 2016. Mixed media collage on reclaimed wood fencing, 30 x 40 in. © 2016 by Lavett Ballard. Permission to reprint may be obtained only from the artist. This image appeared on the Winter 2021 issue of Signs.

Artist Statement
I view my art as a re-imagined visual narrative of people of African descent. My use of imagery reflects social issues affecting primarily black women’s stories within a historical context. My current body of work uses collaged photos adorned with paint, oil pastels, and metallic foils. These photos are deconstructed and layered on reclaimed large and small aged wood fences. The use of fences is a symbolic reference to how fences keep people in and out, just as racial and gender identities can do the same socially. The fusion of wood and photography offers artwork that both explores my Southern roots and visually speaks volumes to continuing themes within my community.

My portfolio can be viewed via www.LavettBeArt.com.

Artist Biography
Lavett Ballard is an artist, art historian, curator, and author. She holds a dual bachelor’s degree in studio art and art history with a minor in museum studies from Rutgers University, and an MFA in studio art from the University of the Arts in Philadelphia.  Ballard’s art has been commissioned as a cover for the Time Magazine Woman of the Year special, a double edition released March 2020. She is a Yaddo Artist residency recipient for 2020, has been nominated for a Pew Foundation residency, and has been named by Black Art in America as one of the Top 10 Female Emerging Artists to Collect. Ballard’s work has been in film productions and exhibited at galleries and museums nationwide. Her work has been acquired by prominent collections such as the African American Museum of Philadelphia, the Colored Girls Museum, the Petrucci Family Foundation Collection, and the Grant and Tamia Hill private Collection.

 

Tweet
Share

Search the site:

Key Links

  • Submit a Manuscript
  • Guidelines for Authors
  • Signs Archives on University of Chicago Press
  • Subscribe to Signs
  • Library Recommendation Form
  • Sitemap

Contact Signs

  • (617) 373-5837
  • signs@northeastern.edu
  • Contact Us

(c) 2012 Signs: Journal of Women in Culture and Society

 

Loading Comments...