The summer 2019 issue of Signs is now available online from the University of Chicago Press. The table of contents is as follows: Reproducing Racial Fictions: Critical Meditations on (a) Lesbian Pregnancy Emily Alyssa Owens Feminism against Biocapitalism: Gestational Surrogacy and the Limits of the Labor Paradigm Johanna Oksala Pinkwashing the “Honor Crime”: Murdered Muslim Women […]
Articles posted by amazzaschi
Stephanie Land’s Maid
Sheila Bapat, Grace Chang, Leigh Gilmore, Evelyn Nakano Glenn, and Emily J. Martin discuss Stephanie Land’s Maid, with a response from the author.
Feminist Rage: A Conversation with Soraya Chemaly, Carla Kaplan, and Durba Mitra
Feminist journalist, media critic, and activist Soraya Chemaly joins Carla Kaplan and Durba Mitra for an in-depth discussion of feminist rage. Their wide-ranging conversation covers many aspects of contemporary women’s rage: the Kavanaugh Supreme Court confirmation process, the furor over Serena Williams’s US Open final, and how to differentiate progressive anger from the reactionary anger that has fueled the Right, including the rise of Trump.
Gender and the Rise of the Global Right (Spring 2019; vol. 44, no. 3)
Gender and the Rise of the Global Right, a special issue edited by Agniezska Graff, Ratna Kapur, and Suzanna Danuta Walters, is now available.
Doris Salcedo – Shibboleth (2007)
Artist Statement Shibboleth is a subterranean chasm that stretches the length of the Tate Modern’s Turbine Hall. The concrete walls of the crevice are ruptured by a steel mesh fence, creating a tension between these elements that resist yet depend on one another. By making the floor the principal focus of the project, Salcedo […]
Charlene A. Carruthers’s Unapologetic
Moya Bailey and Kai Green discuss Charlene A. Carruthers’s book Unapologetic: A Black, Queer, and Feminist Mandate for Radical Movements, with a response from Carruthers.
Soraya Chemaly’s Rage Becomes Her
Shoshanna Ehrlich, Holloway Sparks, Jamia Wilson, and Andi Zeisler discuss Soraya Chemaly’s Rage Becomes Her, with a response from Chemaly.
Shahzia Sikander – Ready to Leave (1997)
Artist Statement Ready to Leave was made in response to the straightjacketing that I encountered in terms of my biography in the mid- to late nineties in the US. The journey to explore the personal had already started in Pakistan in my work. With the distance from “home,” the process of self-actualization came into focus. […]
Winter 2019 (vol. 44, no. 2)
The winter 2019 issue of Signs is now available online from the University of Chicago Press. The table of contents is as follows: A Note from the Editor Suzanna Danuta Walters Articles Milk Money: Race, Gender, and Breast Milk “Donation” Laura Harrison The Polluted Child and Maternal Responsibility in the US Environmental Health Movement Norah […]