Signs: Journal of Women in Culture and Society
  • Facebook
  • Twitter
  • Home Page
  • The Journal
    • Current Issue
    • Forthcoming in Signs
    • Recently Published Issues
    • Virtual Issues
      • Signs Resources on Abortion and Reproductive Justice
      • Feminist Resources for #TheResistance
      • Signs@40: Feminist Scholarship through Four Decades
      • Visibility and Visuality: Reframing Gender in the Middle East, North Africa, and Their Diasporas
    • Art
      • Featured Artist
      • Cover Art Gallery
      • Visibility and Visuality Artists
    • Lesbian Studies, Now : Call for Papers
    • For the Classroom
      • Signs on the Syllabus
        • WGSS Teaching Resources
        • Feminist Practices
      • Films for the Feminist Classroom
  • Feminist Public Intellectuals Project
    • Short Takes
      • The Patriarchs
      • Lady Justice
      • Bad Sex
      • The Women’s House of Detention
      • In Defense of Witches
      • Abolition. Feminism. Now.
      • The Right to Sex
      • Believing
      • Against White Feminism
      • Still Mad
      • Controlling Women
      • Period. End of Sentence.
      • Tomorrow Sex Will Be Good Again
      • Mediocre
      • Entitled
      • Boys and Sex
      • Seven Necessary Sins for Women and Girls
      • Reckoning
      • No Visible Bruises
      • Maid
      • Unapologetic
      • Rage Becomes Her
      • In a Day’s Work
      • Eloquent Rage
      • Crash Override
      • What Happened
      • Destruction of Hillary Clinton
      • Unwanted Advances
      • Feminist Fight Club
      • In the Darkroom
      • We Were Feminists Once
      • All the Single Ladies
      • My Life on the Road and Notorious RBG
      • Unfinished Business
      • Pro
      • Bad Feminist
    • Feminist Frictions
      • Radical Feminism
      • The Field of Women’s, Gender, and Sexuality Studies
      • Free Speech
      • Title IX
      • Sex Work
      • Identity Politics
      • Celebrity Feminism
      • Trigger Warnings
      • Affirmative Consent
    • Ask a Feminist
      • Reproduction in the Age of Epigenetics, a Conversation with Rene Almeling, Sarah Richardson, and Natali Valdez
      • Jennifer Fluri Discusses the Gender Politics of the US Withdrawal from Afghanistan with Sandra McEvoy
      • Patricia Williams Discusses Rage and Humor as an Act of Disobedience with Carla Kaplan and Durba Mitra
      • Eesha Pandit and Paula Moya Discuss Activism and the Academy with Carla Kaplan and Suzanna Walters
      • Byllye Avery Discusses the Past and Future of Reproductive Justice with Susan Reverby
      • Deborah Anker Discusses Gender and US Asylum Law with Aziza Ahmed
      • Soraya Chemaly Discusses Feminist Rage with Carla Kaplan and Durba Mitra
      • Cynthia Enloe, Agnieszka Graff, Ratna Kapur, and Suzanna Danuta Walters on Gender and the Rise of the Global Right
      • Catharine A. MacKinnon and Durba Mitra on Sexual Harassment in the Age of #MeToo
      • Dolores Huerta and Rachel Rosenbloom on Gender and Immigrant Rights
      • Michael Kimmel and Lisa Wade on Toxic Masculinity
      • Angela P. Harris on Gender and Gun Violence
      • Susan J. Carroll on Gender and Electoral Politics
      • Cathy Cohen and Sarah Jackson on Black Lives Matter
  • About & Guidelines
    • About
    • Masthead
    • History
    • For Authors
      • Author Guidelines
      • Submitting a Manuscript
      • Reprints and Permissions
      • Lesbian Studies, Now : Call for Papers
  • #FeministResistance

Paula Scher – World Trade (2010)

Posted on May 21, 2018 by amazzaschi in Cover Art
Tweet
Share
Paula Scher, World Trade,

Paula Scher, World Trade (2010). Acrylic on canvas, 92 x 157 inches. This work appears on the cover of the Summer 2018 issue of Signs. © 2010 by Paula Scher. Permission to reprint may be obtained only from the artist.

Artist Statement
For the past twenty years, renowned graphic designer and fine artist Paula Scher has been reinterpreting society’s approach to data and our visual representation of the trafficked environment. Through her large-scale cartographic paintings, she has created a novel way of mapping traditional information while subjectively twisting and confounding it. Intricate, colorful, and obsessively detailed, her paintings have the foundations of accuracy but are ultimately impressionistic visions of our interconnected world. Scher culls data from informational media such as headlines, commercial maps, and diagrams and renders them in madcap fields of hand-drawn typography. The accumulated textures and patterns provide an exuberant portrait of contemporary information in all its complexity and subjectivity, while questioning our innate ability to synthesize and analyze.

Artist Biography
Paula Scher is one of the most acclaimed graphic designers in the world. She has been a principal in the New York office of the distinguished international design consultancy Pentagram since 1991, where she has designed identity and branding systems, environmental graphics, packaging, and publications for a wide range of clients. She is an established artist exhibiting worldwide, and her designs are in the permanent collection of the Museum of Modern Art, the Cooper Hewitt National Design Museum, the Library of Congress, the Victoria and Albert Museum, and other institutions. She is the author of Make It Bigger (New York: Princeton Architectural Press, 2002), MAPS (New York: Princeton Architectural Press, 2011), and Works (London: Unit Editions, 2017). A documentary on her and her work can be seen in the 2017 Netflix series Abstract: The Art of Design.

Tweet
Share

Search the site:

Key Links

  • Submit a Manuscript
  • Guidelines for Authors
  • Signs Archives on University of Chicago Press
  • Subscribe to Signs
  • Library Recommendation Form
  • Sitemap

Contact Signs

  • (617) 373-5837
  • signs@northeastern.edu
  • Contact Us

(c) 2012 Signs: Journal of Women in Culture and Society

 

Loading Comments...