Susan Bordo, Ana Marie Cox, Daisy Hernandez, and Dana Nelson provide feminist perspectives on Hillary Clinton’s What Happened.
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The Autumn 2017 issue of Signs is now available online.
Artist Statement Based on Harriet Jacobs’s Incidents in the Life of a Slave Girl, this piece takes its title from a chapter in her book. The installation invites viewers into the central camera obscura one at a time. In the pitch-dark interior, rocked by slight movement of the cone’s round form, the viewer’s eyes dilate […]
The Autumn 2017 issue of Signs is available from the University of Chicago Press. Articles No Way Out of the Binary: A Critical History of the Scientific Production of Sex Veronica Sanz Plasticity and Programming: Feminism and the Epigenetic Imaginary Sarah S. Richardson “Other Mothers,” Migration, and a Transnational Nurturing Nexus Alexia Bloch Reproducing Jane: […]
Nell Painter, Carmen Rios, and Marjorie Spruill discuss Susan Bordo’s book The Destruction of Hillary Clinton, with a response from Bordo.
Jaclyn Friedman, Kelly Oliver, Claire Potter, Aishah Shahidah Simmons, and Lisa Wade discuss Laura Kipnis’s new book Unwanted Advances, with a response from Kipnis.
Cameron Awkward-Rich and Meghan Healy-Clancy awarded 2017 prize recognizing innovation in the work of emerging feminist scholars.
Artist Statement Cocreated during the first ever gathering of and for African trans activists in Cape Town, the work is a creative intervention for social justice, to mark the emergence of an African trans movement and honor the people from seven countries who chose to participate. After drawing them from life, I invited each […]
Catherine Connell, Liz Plank, Brigid Schulte, and Adia Harvey Wingfield discuss Jessica Bennett’s Feminist Fight Club, with a response from Bennett.